1.I yell at a decibel machine hysterically,a series of chirps,with unknown tones,till i am voiceless.
我对着分贝器歇斯底里的喊＂叽里咕噜不知所云的音调＂一串一串的喊！一次都喊到我无法发声为止。
2.To pronounce(a normally voiced sound) without vibration of the vocal chords so as to make it wholly or partly voiceless.
使浊音变成清音发音时（标准的浊音）不振动声带，完全或部分不发出声音
3.Opponents still argue that those who exercise choice will be the most able and committed, and by clustering themselves together in better schools they will abandon the weak and voiceless to languish in rotten ones.
反对者仍然坚持认为那些择校的人一半能力很强，很执着，通过往好学校扎堆儿，他们把那些处于弱势地位、没有代言人的学生留在差等学校慢慢受煎熬。
4.The consonants t, f and s are voiceless.
这三个辅音是清辅音
5.The smell of the wet earth in the rain rises like a great chant of praise from the voiceless multitude of the insignificant.
雨中的湿土的气息，就响从渺小的无声的群众那里来的一阵巨大的赞美歌声。
6.In the paper, the author discusses change rules of consonant clusters pl, tl, kl, pr, tr, kr and the historical evolution locuses of them through the comparative study of the sounds between Tazoy and Rangoon dialects of Burmese. There are some new sound change tendencies in the language, the voiceless consonants to voiced, p, t, k endings to be replaced by ?
本文通过土瓦方言与缅甸语标准话一仰光话的声母、韵母及词汇方面的比较，初步探讨了缅甸语中的复辅音 pl、 tl、 kl、 pr、 tr、 kr等的变化规律和历史变化轨迹，并认为缅甸语有清辅音浊化的趋势，揭示了 p、t、k等清塞音韵尾消失和喉塞音“?”
7.a voiceless wish
心里的愿望
8.being voiceless through injury or illness and thus incapable of all but whispered speech.
因为伤害或者疾病而没有了声音，只能耳语。
9.a speech defect that involves pronouncing s like voiceless th and z like voiced th.
发音不正常的一种言语失常症。
10.The ancient Chinese aesthetics of literary criticism boasts a very striking national tradition, which is represented by the combination of literature and art with practicability and utility, the spirit of being assiduous in book writing, the ideal of creating "voiceless music" and its aesthetic acme of perfection, the principle of image shaping featured with "both the form and spirit being displayed", the methods of artistic expression relishing of "method-free methods" and the standards of artistic appreciation blessed with a "lingering flavor".
摘要中国古代文艺美学具有非常显著的民族传统，它们主要表现为：文艺和实用、功利的结合和发愤着书的精神；“无声之乐”的创作理想和审美境界；“形神兼备”的形象塑造原则；“无法之法”的艺术表现方法；“味外之味”的艺术鉴赏的标准。
