1.This article tries to cut into Russlan and Ludmila and then the whole narrative literature of Pushkin from three different angles-“narrative voice”, “narrative layer”, “narrative pattern”, to draw and reveal out the enlightening influence produced by Russlan and Ludmila which is the first book of the Pushkin’s narrative literature, and finally, to complete a pilgrimage in a narratological sense about the Pushkin’s narrative literature.
本文尝试从三个角度(“叙述声音”、“叙述层次”和“叙述模式”)切入《鲁斯兰与柳德米拉》,进而切入普希金的整个叙事文学,以求提取和揭示《鲁斯兰与柳德米拉》作为普希金叙事文学的起始之作所产生的启示性影响,从而最终完成关于普希金的叙事文学的一次叙述学意义上的巡礼。
2.Taking Booth, Genette, Mieke Bal, Rimmon-Kenan, Todorov and James Faylen’s narrative theories as the theoretical foundation, this dissertation summarizes the basic meaning and the classification of the narrative angle, the narrative way and the relation-time and situation. After that the conclusion will be explored to be the research method to analyze narrative characteristics of Calvino’s novels from these aspects so that we can conduct a comprehensive and profound research into narrative techniques of Calvino’s novels.
本论文以布斯、热奈特、米克·巴尔、里蒙-凯南、托多罗夫、詹姆斯·费伦等人的叙事学理论为依据,总结叙述角度、叙述方式、时况关系的基本含义及其分类,并以此结论为研究方法,分析卡尔维诺小说这三方面的叙述特点,从而对卡尔维诺小说的叙事艺术作比较全面和细致的研究。
3.Reportage narrative lays stress on different aspects than that of news narrative and history narrative: the attention to characters and interests to scenes, details and discourse.
报告文学叙事的眼光明显不同于新闻叙事和历史叙事，主要表现为：一，对人物性格的关注；二，对场景、细节及人物话语的兴趣。
4.Another is that while concluding the characteristics of narrative art in the Pushkin’s narrative literature, this article “watches” peculiarly and freshly the thematic expression of the narrative books of Pushkin.
其二,在总结普希金叙事文学的叙事艺术特点的同时,对普希金的叙事文学作品的思想表达进行了独特而新颖的观照。
5.While his published books to date focus on elements of narrative (style, character, plot [which becomes progression in his theory], various kinds of narrative discourse, especially character narration), his forthcoming book, Experiencing Fiction: Judgments, Progressions, and the Rhetorical Theory of Narrative (2007), puts the rhetorical experience of reading at the center of the inquiry.
在他的著作中，费伦强调了叙事成分，如文体、人物、情节（即费伦使用的“进程”）、各种叙事话语（尤其是人物叙述）等，而在他2007年即将出版的专著《体验叙事：判断、进程与修辞叙事理论》中，费伦则将研究中心置放在修辞的阅读体验上。
6.The Autobiography of Benjamin Franklin" selects "Father of America Nation" as the narrator, which is reflected from the narrative style, the narrative structure arrangement, and some narrative techniques.
《富兰克林自传》选取了“民族之父”这一身份为叙事立场与读者展开对话,从叙事文体、叙事结构和叙事手法等方面体现出对这一身份的认同。
7.The part of introduction introduces the developing situation of narratology at present Firstly illustrates the developing background of narratoiogy of "narrative as rhetoric", thinks that "narrative as rhetoric" is the inevitable result from "narratology" to "narratologies" and that the development of Wayne C Booth to James Phelan is really the result from the rhetoric of fiction to the rhetoric of narrative.
绪论部分首先介绍了叙事学在当前的发展状况，说明了“叙事作为修辞”的叙事学发展背景，认为“叙事作为修辞”是“前叙事学”走向“新叙事学”的必然产物，从韦恩·布斯到詹姆斯·费伦的发展实际上是小说修辞学向叙事修辞的发展。
8.Such the change of narrative time as the delay of narrative speed, the narrative analysis of cross time and the magic change of time all originated in Chinese Buddhist Scripture.
叙事时速的延缓、错时的叙述分层、时间的幻化这些叙事时间的变化也能从汉译佛典中找到渊源;
9.The adapters of the three TV series had taken different narrative tactics and narrative way while adapting, the TV series Thunder adopted commercialized narrative tactics purely, the story in original work was re-expounded vulgarly and superficially, the magnificent coat can’t cover up the vulgar and hollow soul under it.
三部电视剧的改编者在改编时,采取了不同的叙事策略与叙述方式,电视剧《雷雨》采取纯商业化的叙事策略,对原著中故事实行了表层化与庸俗化的再阐释,其华丽的外衣下包裹的是一颗庸俗空虚的灵魂;
10.This paper attempts to elaborate this tendency in a more positive way, arguing that its disavowal of the authority and metaphysical nature of traditional morals in fact engendered a new moral narrative notion, which indicated the end of the priority of morality in the novel narrative.
文章尝试较为正面地解读这一变化，认为它否定传统道德的权威性及其形而上学特点，实际上形成了一种新的道德叙事观念，标志着小说叙事中道德优先论的终结。
