1.On the Derivation of Angular Glint from Backscattering Measurements of Echo Relative Phase
On the Derivation of Angular Glint from Backscattering Measurements of Echo Relative Phase
2.DERIVATION AND SKEW-DERIVATION OF D ( M )
关于D(M)上的求导与斜求导
3.Miers has shown that the Lie triple derivation on a vN algebra M with no central abelian summands has the form D + λ, where D is an associative derivation and A is a linear map of M into its center which annihilates brackets of operators.
Miers证明了无交换部分的vN代数M上的三元Lie导子具有D+λ形式,其中D是M上的结合导子,λ是从M到它的中心Z上的线性映射且零化M中的括积。
4.Derivation of the Formula for Additional Stress in Compound Foundation by Mindlin Solution
用Mindlin解推求复合地基中附加应力的计算公式
5.The mathematical model for the phase transfer catalytic polycondensation was esta blished, from which the degree of reaction, expressed as P= F_(η_1)~oKC_cC_(Bo)~(n-1)t/N_D, and the degree of polymerization, expressed by X_n=1/(1-Et), may be obtained by derivation.
证明了反应场所是在有机相中,建立了相转移催化循环图,定义了相转移常数K,并建立了相转移催化反应体系的数学模型,推导出反应程度和聚合度公式分别为P=F°η_1·K·C_c-C_(Bo)~(n-1)·t/N_D (?)
6.This part investigates the derivation of the double-object construction within the framework of Optimality Theory proposed by Prince Alan & Paul Smolensky (1993), and attempts to solve the representational status problem that is to define a strict scope for double object constructions.
在此基础上，本文采用(Prince Alan & Paul Smolensky, 1993)的优选论理论，解决了如何区分汉语真假双宾语及确立其具体范围等相关问题。
7.Without derivation, organic acids were exacted from tobacco to take quantitative analysis by injecting into GLC directly.
摘要采取不经衍生化，把从烟叶中萃取出的有机酸成分，直接进样的方式进行GLC定量分析。
8.AN ANALYTIC DERIVATION FOR THE McMillan T_c FORMULA (Ⅱ) CASE OF μ~*≠0
McMillan T_c公式的解析推导(Ⅱ) μ~*≠0情形
9.This paper studies the derivation of a qualitative description for the magnetization curve of saturable magnetic materials.
摘要本文针对饱和磁性材料，推导其磁化曲线的定性描述。
10.The techniques of Reger in composition of variations and fugues not only demonstrate his influences under Bach, Beethoven, Schumann and Brahms but also embody his innovative methods in motive derivation and structue in both variations and fugues.
雷格尔变奏曲和赋格曲的创作技法既显示了他受到巴赫、贝多芬、舒曼和布拉姆斯的影响,又体现了他在变奏曲与赋格曲中在动机的衍生和结构上有所创新的方法。
